{"id":3348,"date":"2015-02-19T04:44:36","date_gmt":"2015-02-19T04:44:36","guid":{"rendered":"http:\/\/ncjolt.org\/?p=3348"},"modified":"2020-06-04T20:53:38","modified_gmt":"2020-06-04T20:53:38","slug":"left-shark-lawsuit-copyright-ownership-of-super-bowl-xlixs-true-mvp","status":"publish","type":"post","link":"https:\/\/journals.law.unc.edu\/ncjolt\/blogs\/left-shark-lawsuit-copyright-ownership-of-super-bowl-xlixs-true-mvp\/","title":{"rendered":"Left Shark Lawsuit: Copyright Ownership of Super Bowl XLIX\u2019s True MVP"},"content":{"rendered":"<p>The Super Bowl is popular for a variety of reasons \u2013 football, commercials, and the halftime show. What was most talked about after this year\u2019s halftime show may not have been Missy Elliott\u2019s surprise appearance, but Katy Perry\u2019s fantastically awkward, uncoordinated, backup-dancing shark.<br \/>\n\u201cLeft Shark\u201d became nothing short of an overnight sensation. It was instantly the topic of Internet conversations, memes, and even landed its own satirical story in <a href=\"http:\/\/www.newyorker.com\/magazine\/2015\/02\/16\/diary-left-shark\">The New Yorker<\/a>. Unfortunately, this fun was short-lived once a vendor, Fernando Sosa, was served a <a href=\"http:\/\/www.scribd.com\/doc\/254849521\/Left-Shark-cease-and-desist\">cease-and-desist letter<\/a> from Perry\u2019s legal representatives, demanding he stop selling figurines of Left Shark. The letter asserted that the sale and display of Left Shark figurines \u201cinfringe[] on [Perry\u2019s] exclusive rights in numerous ways,\u201d and demanded he immediately stop selling the figurine, turn over all figurines in his possession, and provide a complete accounting record of the products.<br \/>\nSosa is an Orlando-based designer who sells pop-culture and political-themed items through <a href=\"http:\/\/www.shapeways.com\/product\/PHEKBV6E2\/left-shark?li=home-leftshark-buy\">Shapeways<\/a>, an on-demand 3D printing company. Sosa, like many others, sought to capitalize on Left Shark\u2019s fifteen-minutes of fame and produced Left Shark figurines that he was selling online for just $24.99 (now $26.99). Initially after receiving Perry\u2019s letter, Sosa planned to abide by the order and <a href=\"http:\/\/www.cnn.com\/2015\/02\/05\/entertainment\/left-shark-perry-cease-desist\/\">stated that<\/a>,<\/p>\n<blockquote><p>\u201cit looks like dictators and world leaders like Putin and Kim Jong Un or Chris Christie are much easier to deal with.\u201d<\/p><\/blockquote>\n<p>He even told CNBC that he offered to pay royalties but was <a href=\"http:\/\/www.abajournal.com\/news\/article\/3d_printer_selling_left_shark_gets_cease_and_desist_letter_from_katy_perrys\/\">refused<\/a>. However, after retaining Professor Christopher Jon Sprigman from New York University School of Law, Sosa decided to fire back at Perry\u2019s team.<br \/>\n<a href=\"http:\/\/www.politicalsculptor.blogspot.ca\/2015\/02\/politicalsculptor-retains-legal.html\">Sprigman\u2019s response<\/a> to Perry\u2019s cease-and-desist letter questioned the basis with which Perry was asserting her copyright ownership. Sprigman began by questioning the notion that the costume was even copyrightable because of federal court decisions holding that generally, costumes are not subject to copyrights. Next, Sprigman attacked the basis with which Perry owned the alleged copyright to the costume, citing Perry\u2019s own statements in an interview about the then-upcoming Super Bowl halftime performance. In the interview, Perry contrasted her typical shows where she is in charge to the NFL-regulated halftime performance where she stated, \u201cI have to report to somebody. So I am no longer the boss; I have to relinquish that control.\u201d<br \/>\nUnless Perry drops her claims or Sosa obeys the cease-and-desist letter, we\u2019re at a standstill and have some copyright issues to resolve.<br \/>\nThe first issue is whether Left Shark\u2019s costume is copyrightable. Sprigman\u2019s letter asserts that it likely won\u2019t be, but Santa Clara law professor and copyright expert <a href=\"http:\/\/www.latimes.com\/opinion\/opinion-la\/la-ol-left-shark-copyright-fight-katy-perry-20150205-story.html\">Eric Goldman isn\u2019t as convinced<\/a>. In order for a work to be copyrighted it must be an expression, mere ideas are not copyrightable. The key to this expression\/idea distinction here is whether the work is distinctive. If Left Shark is so popular as to have sparked such a following, Goldman points to that as a distinctive quality sufficient for copyrightability.<br \/>\nIf Left Shark\u2019s costume is copyrightable, the next issue is who owns the copyright? This raises issues of who designed it and whether they designed it as a work for hire. Or, if the design was based off of something already in the public domain, it may not be Perry\u2019s right to enforce a copyright at all.<br \/>\nFinally, Goldman noted that this case brings up a <a href=\"http:\/\/www.latimes.com\/opinion\/opinion-la\/la-ol-left-shark-copyright-fight-katy-perry-20150205-story.html\">novel issue of whether a 3D printing company can be held liable for the infringement of its users.<\/a> Current federal law provides a safe harbor for websites that provide services for users to publish their own works, such as YouTube. But here the products are physical rather than virtual, so could (and should) such providers be held liable to infringing acts of their users?<br \/>\nWe\u2019re all lucky enough to have enjoyed the Left Shark\u2019s Super Bowl XLIX dancing and the entertainment will surely continue throughout this legal battle over copyrights.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Super Bowl is popular for a variety of reasons \u2013 football, commercials, and the halftime show. What was most talked about after this year\u2019s halftime show may not have been Missy Elliott\u2019s surprise appearance, but Katy Perry\u2019s fantastically awkward, uncoordinated, backup-dancing shark. \u201cLeft Shark\u201d became nothing short of an overnight sensation. It was instantly <a href=\"https:\/\/journals.law.unc.edu\/ncjolt\/blogs\/left-shark-lawsuit-copyright-ownership-of-super-bowl-xlixs-true-mvp\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":3349,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/posts\/3348"}],"collection":[{"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/comments?post=3348"}],"version-history":[{"count":1,"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/posts\/3348\/revisions"}],"predecessor-version":[{"id":7366,"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/posts\/3348\/revisions\/7366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/media\/3349"}],"wp:attachment":[{"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/media?parent=3348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/categories?post=3348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/journals.law.unc.edu\/ncjolt\/wp-json\/wp\/v2\/tags?post=3348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}